653 Chenery Street
in San Francisco's Glen Park neighborhood
1-415-586-3733
[email protected]
Open to walk-in trade and browsing
Tuesday to Sunday
noon to six
Live Streams every weekend!
Refresh your browser to catch a show in progress!
Visit our Facebook page or YouTube channel!
But nothing beats being in the room with the music & the musicians!
$20 cover charge; $10 for students, musicians, limited income Ritmojito features vocalist Sandra Aran, with Richard Nelson Hall on piano, Dean Muench on bass and Dan Foltz, drums. Superbly crafted songs with deep latin jazz grooves, salsa to ska to samba. This date is subsidized by Jazz in the Neighborhood’s Guaranteed Fair Wage Fund, augmenting your donations and our commitment, so that the musicians can earn $150 each for the gig! Please come with cash for the cover charge.
Read MoreTalk about your San Francisco jazz… On the fourth Friday of each month, our weekly jazz in the bookshop series features The 230 Jones Street, Local 6 Literary Jazz Band — aka The Chuck Peterson Quintet — five musicians whose history on the local jazz scene dates back 60 years, to the very early 1950s. Read more here.
Read MoreCamincha Benvenutto is Poet Laureate of Pacifica Jacki Rigoni is Poet Laureate of Belmont A reading we anticipate with great pleasure… as we do your participation in the open mic, or simply your ears & minds! Camincha Benvenutto has been writing poetry since age 13, though she found little time to write while raising her children. She is a published author of one book of poetry and four novels, all of a little different genre, some short stories, one historic fiction. She’s currently working on another book — a pictorial memoir. She has more than 300 poems written, most have never been published. Her published work, however, is available through the San Mateo County and San Francisco County library systems. She’s is listed in the directory of American poets and fiction writers and is a member of PEN International. We’ve had the pleasure of hosting Camincha in readings several times…
Read More$10-20 suggested donation; $5-10 for students, musicians, limited income Two Car Funeral is an Americana band showcasing the solo voice, acoustic guitar and harmonica of West-Virginia-born baritone Stephen Yerkey. Yerkey writes and sings of railroad workers, robber barons, short pants, love and despair, Algiers and lighthouse keeping. Two Car Funeral fuses country, jazz, folk and blues, and rich storytelling. Yerkey, who writes most of the band’s material, and Lance Campbell, the band’s drummer, both came to San Francisco from Kentucky and played in the same band, Nonfiction, in California from 1977 to 1987. After talking for the last several years about having another band, they formed Two Car Funeral, with Joe Gore on guitar and Scott Leftridge on bass. Yerkey has been on NPR, has toured a bit in the States and Europe, and has issued three albums since his days in Nonfiction, which issued an albumin 1986. Joe Gore…
Read MoreThe Jazz Philanthropists Union presents… Karl Evangelista, guitar Jason Hoopes, bass Scott Amendola, drums $20 cover charge; $10 for students, musicians, low income “If Scott Amendola didn’t exist, the San Francisco music scene would have to invent him.†– Derk Richardson, San Francisco Bay Guardian Scott Amendola is a gleefully funny guy, and a brilliant musician to boot. He engages everyone he meets, musically and in yr average neighborhood bookstore. We’re glad he’s coming, in such company! Do come! In some circles, Amendola is best known for his intermittent two-decade collaborationwith seven-string guitar wizard Charlie Hunter, with whom he connected shortly aftermoving to the Bay Area in 1992. They went on to play together with John Schott and Will Bernard in the three-guitar-and-drums combo T.J. Kirk, which earned a Grammynomination for its eponymous 1996 debut album. After years of occasional gigs, theyteamed up again in 2011 in a tough and…
Read MoreScott Foster leads a quintet featuring the handsome Henry Hung on trumpet, mighty Joe Cohen on tenor sax, thumpin’ Aaron Cohn, a player of filigree & facility, on bass, and slammin’ Mike Quigg on drums. This is an homage to Jimmy Ryan’s Bird & Beckett Bebop Band! Some bebop, some Monk, some jazz standards! With Mike sitting in Jimmy’s chair, the band is made up of players that put in fertile years with Jimmy here at the bookshop!
Read More$10-20 suggested donation; $5 suggested for students / musicians / modest means The Nashville Honeymoon Edition Lynne Maes, vocalsHank Maninger, vocals & guitarJoe Goldmark, pedal steelTim Wagar, bassKenny Owen, drums From Highway 99 down through Bakersfield , to the turnpikes of Pennsylvania, to the streets of Baltimore — this country music is at home in the jukebox of any honky tonk you call home.
Read MoreBeth Schenck – alto sax, compositions Kasey Knudsen – alto sax Phillip Greenlief – tenor sax Cory Wright – tenor and baritone saxes Social Stutter, a saxophone quartet led by composer/altoist Beth Schenck, blurs the line between strictly written chamber music and soaring free jazz. Solos emerge from the natural order of intricately written lines that, although begin simply in structure, twist and distort themselves into surprisingly complex shapes and forms. Unlike traditional saxophone quartets, some of the pieces are composed for two altos and two tenors, which leads itself to denser harmonic territory and a uniquely homogenous sound. Masters of texture and nuance, the quartet has a keen awareness of how to support and push one another’s creative boundaries. Social Stutter is comprised of some of the Bay Area’s most unique voices: Kasey Knudsen, Phillip Greenlief, Cory Wright and Beth Schenck. Beth Schenck is a San Francisco based saxophonist,…
Read More“Seinfeld meets Sedaris in the Snapchat Age.” – Jill Dearman, LAMBDA-winning author of The Great Bravura. From the Erie Gay News (EGN): The Art of the Anecdote. After the success of his first novel 85A, Kyle Thomas Smith found a new register in his literary voice while exploring and experimenting with dynamic innovations in short fiction, the personal essay, and the bourgeoning flash fiction genres. The resulting collection of vignettes, flash scenes and essays is Smith’s Cockloft: Scenes from a Gay Marriage [September 17, 2018; Gatekeeper Press]. Like the small attic it’s named after, Cockloft is full of surprises. Whether they’re fending off an invading squirrel, letting an errant call girl know they’re not her kind of johns, or enduring a #MeToo moment with a handsy waiter on their Roman honeymoon, Kyle and his husband Julius are just the kind of gay married couple who didn’t see the 2016 election coming.…
Read MoreGrant Levin, piano James Mahone, saxophone Aaron Cohn, bass Hamir Atwal, drums Four top San Francisco jazz musicians weave their magic for an avid audience. $20 cover charge; $10 for students, musicians, limited income
Read MoreJessica King, vocals & washboard Clint Baker, trumpet, trombone & clarinet Jeff Hamilton, piano Sure, you could stay home. But you’d miss the chance to tell your friends, “I saw Jessica King at Bird & Beckett before she became A Star.†Because Jessica is on her way for certain. She’s studied her craft from the inside out, but, even better, she’s made friends with the songs she sings, so her music is warm and welcoming. She started in the Bay Area swing dance community, so she knows her rhythm. Jessica told us, “Since I was a girl, I’ve always loved blues, jazz, and R&B. I grew up listening to a lot of Nat Cole, Patsy Cline, Aretha Franklin, and Lauren Hill. These singers have had great influence on me vocally, along with Una Mae Carlisle, Peggy Lee, Bessie Smith, Anita O’Day, of course, Ella Fitzgerald, and probably my favorite of…
Read MoreJoAnn DeLuna is a bilingual journalist and poet from Texas who earned her Masters degree in journalism at City University London and put in a decade as a print journalist with work published through the U.S. and in the UK, the Netherlands and India. She recently moved to San Francisco to study audio journalism and storytelling at KALW’s Audio Academy, and has quickly made a strong impression at poetry open mics and slams in the Bay Area. Denise Sullivan has a new chapbook of poems, “The Raskish Tam.” She’s a long-time presence in the Bay Area’s literary community, and has been writing a column this past year or so for the SF Examiner called “SF Lives.” She is also associated with United Booksellers of San Francisco, which advocates for independent bookstores throughout the City, coordinates readings and has recently published two chapbooks of local writers under the title “The City…
Read More“When Music appears…oceans disappear†Jazz Musician: Omar Faqir Amman, Jordan Sunday January 6th 2018 BRING IN THE NEW YEAR RIGHT It’s THE ANNUAL HEALING EVENING of POETRY, JAZZ & THE FIRE OF WORDSONG with members of AVOTCJA & MODUPUE (the Bay Area Blues Hall Of Fame Jazz Group Of The Year 2010 & 2005) JON JANG (Piano) SANDI POINDEXTER (Violin) FRANCIS WONG (Sax & Flute) SHIMPEI OGAWA (Bass) RAUL RAMIREZ (Multi-Percussion) AVOTCJA (Poet/small Multi-Percussion) it’s gonna be magic … come share the vibe!!!
Read MoreMany decades ago, Dan Richman sallied forth from Whitman’s Long Island with an advanced degree in English under his belt, heading west to the fabled land of California. Landing kerplunk in San Francisco, he proceeded to make his living as a contractor while living as something of a philosopher of the natural world that envelopes our built landscape. All along the way, he’s written prolifically — poetry, plays, novels, essays. His latest book retells a number of ancient Greek myths in a decidedly non-academic manner. Thus the subtitle: “A Rowdy Romp Through Greek Myth.” In fact, one back cover endorsement reads, “This book teeters on the edge of vulgarity.”
Read More$20 cover charge.$10 for students/musicians/low income Roy Hargrove burst onto the jazz scene in the early 1990s in the league of such players as Antonio Hart and Christian McBride; later he nimbly participated in the fusion of jazz with R&B and hip hop. All along the way, he was the brightest of the young trumpet stars. His death of heart attack at age 49 was untimely and tragic. Trumpeter Noah Frank pays tribute in the company of a fine coterie of fellow musicians. Noah Frank, trumpet Danny Brown, saxophone Grant Levin, piano Charles Thomas, bass Genius Wesley, drums
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SUPPORT BIRD & BECKETT - DONATE TODAY!
Your donation to the Bird & Beckett Cultural Legacy Project helps us pay for a multitude of operating expenses necessary to present, promote and preserve local music, poetry, and more.
Help us keep the arts alive and thriving!
The Bird & Beckett Cultural Legacy Project was created in 2007 "to present, document and archive the creative work of significant living writers and musicians in the San Francisco Bay Area, for a neighborhood audience and future generations," continuing the work we began when the store was established in 1999.
We continue to present a full slate of programming of live music and poetry readings, and produce a literary journal and poetry chapbooks, and we seek and welcome your continued financial support by way of donations.
Click on "donate" in the navigation bar above. Better yet, make a check out to the “Bird & Beckett Cultural Legacy Project” and drop it off or mail it to:
Bird & Beckett Cultural Legacy Project
653 Chenery Street
San Francisco, CA 94131
Call us at (415) 586-3733 to find out how else you might lend your support.
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We're immensely appreciative of Jazz in the Neighborhood for having stepped in as our temporary fiscal sponsor for a few months, while we straightened out some paperwork to get nonprofit status restored to the BBCLP. We're happy to say that's been done, and all past, present, and future donations made directly to the BBCLP are fully tax-deductible!
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The Bird & Beckett Cultural Legacy Project
Our events are put on under the umbrella of the Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a [Read More ]
The Independent Musicians Alliance
Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
https://www.independentmusiciansalliance.org/
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site
