POETS! Three Readings of Note
Bird & Beckett continues to offer one of the liveliest poetry scenes of any bookshop in town– in this City of Poets!
Monday, August 29th, 7:00 pm
and Duncan McNaughton
Bill and Duncan are contemporaries, friends and widely respected literary figures. In addition to their writings (more than a dozen books of poetry by Duncan since 1961, and a like number of volumes of art writing, poetry and other material by Bill beginning in about the same year), both have been long engaged through critical work and correspondence in furthering the understanding of artistic endeavor. Both have been important teachers in the Bay Area as well– Duncan founded the innovative and highly influential Poetics Program at New College in 1965 and directed it until 1990; and Bill was a key faculty member at the renowned San Francisco Art Institute from 1984 to 2008. Both have roots on the east coast — Bill was born in New York in 1939; Duncan in Boston in 1942 — and came of age intellectually there, though they now firmly identify with both coasts. They have both contributed significantly to American letters throughout their careers, for fifty years and more.
Monday, September 5th, 7:00 pm
followed by an open mic
Dave Moe is a West Coast poet from birth, born in 1937 in Corvallis, Oregon and raised there and in California. His poems embody a surreal and supercharged onslaught of imagery and language. He will long be remembered for the tabloid “Lovelights” (1968-1979) that many an unsuspecting tourist and businessman plucked from newsracks downtown to find scores of poems among the lurid photos and classified ads. His publishing efforts these days are through the prodigious output of Beatitude Press, which he runs along with Doug Rees.
As someone has said, “Moe’s poetry isn’t the result of taking acid. Moe’s poetry is acid.”
An open mic always follows the featured readers in our regular 1st and 3rd Mondays poetry series. The series is hosted by wandering bard Jerry Ferraz, a San Francisco visionary mystic whose work is linked inextricably to the troubadour tradition of the middle ages, and a friendly guy, to boot.
Saturday, September 10th, 5 pm
and Suzanne Sigafoos
The two poets will read from their new chapbooks, The Truth About the World (Rice) and Held in the Weave (Sigafoos).
Jane lives in Glen Park. Her previous collection, Portrait Sitters, is a painterly sequence of likenesses of Montparnasse artists during the inter-war period. “Like any excellent portraitist, she exposes her subjects’ emotional landscapes, but she also goes beyond the frame of the individual to evoke an entire time and place.” — Cole Swenson.
As for Suzanne, Held in the Weave is her first collection; she’s been writing poetry in earnest since her first poetry workshop in San Francisco in 1997. “These honed poems, messages to the living, offer the reader a door to the quiet deep, from which we ourselves return, deepened and gratefully aware of the power of song in this singing collection.” — Judith Montgomery
Available Now at Bird & Beckett
Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.
Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.
~~ Poetry as philosophy to plumb the deeper truths of these times ~~
$15 and worth every penny
_ _ _
Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
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Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site