Sunday, November 8th – 4:30-6:30 pm
Craig Ventresco & Meredith Axelrod
A return engagement of San Francisco’s finest interpreters of early jazz, vaudeville, rural blues, ragtime and popular tunes! Click here to listen to their duo guitar performance of Cold Mornin’ Shout.
Craig Ventresco was lured out to San Francisco from Maine in 1987 by the promised riches of the musician’s life to be had here. Like Rick with regard to Casablanca’s fabled waters, he was misinformed. Nonetheless, he has managed to ply his trade here for decades, and is known internationally as a virtuoso of the guitar and historian of early American popular music. He sings a bit as well, which is always a pleasure to hear.
Craig is deeply familiar with all manner of turn-of-the-20th-century popular music, gleaned from years of collecting old cylinders and 78 rpm records after glomming onto the music as a toddler. “I love all kinds of music from the turn of the century–” he says, “ragtime, waltzes, marches.” On hearing Craig, the late great San Francisco critic Phil Elwood had the revelation that “to see the future, you only need to go back in time.”
You may have first heard Craig in Bay Area clubs and festivals with Pete Devine and Marty Eggers in the trio called Bo Grumpus back in the late 1980s, or in recent years playing solo and in duo with Meredith Axelrod (Craig and Meredith continue to play regularly at the Atlas Cafe). He has been acclaimed on the festival circuit the world over. He’s played solo guitar and duets with Bucky Pizzarelli at the Atlanta Jazz Party, has opened for Reverend Horton Heat, and has been featured on the soundtracks of two memorable films: “Crumb” and “Ghost World.”
Without doubt, Craig is among the most important musicians San Francisco can boast, a versatile multi-instrumentalist of the strings and a profound historian of popular music from the late 1800s through the depression era.
Meredith Axelrod is recently back from an engagement with Jim Kweskin and the Jake Leg Stompers in Nashville and as a duo with Kweskin at the Kentuck Festival in Northport, Alabama after a September swing through Portland and Seattle. She’s a fine, uncanny singer and a multi-instrumentalist with great rhythmic drive and a sure grasp of early jazz, rural blues and the many pop music genres of the early 20th century, learned from a deep immersion in old 78s.
As a solo artist, Meredith has headlined her own shows at the Steve Allen Theater in Hollywood, opened for the Cheap Suit Serenaders at the Freight & Salvage in Berkeley, opened for David Bromberg at the Sweetwater Music Hall, and toured as far as Australia and New Zealand.
Meredith leads her own hot jazz and string bands, and is heard frequently around the Bay and further afield in a duo with Craig Ventresco, performing at the San Francisco Silent Film Festival, Freight & Salvage, the West Coast Ragtime Festival, the Blind Boone Ragtime and Early Jazz Festival and countless small clubs and cafes. Her duo and small group performances with Jim Kweskin have included a recent appearance at the fabled McCabe’s in Santa Monica as well as recent Nashville and Northport, Alabama dates. She has also played with Frank Fairfield, Dan Hicks, Maria Muldaur, Geoff Muldaur, Ramblin’ Jack Eliot, Cindy Cashdollar, David Grisman, Bill Keith, Terry Zwigoff, Robert Crumb, and the Cheap Suit Serenaders, and has toured domestically and internationally.
Click here for When I Was a Cowboy with Craig and Meredith on guitars, and Meredith’s vocal.
Available Now at Bird & Beckett
Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.
Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.
~~ Poetry as philosophy to plumb the deeper truths of these times ~~
$15 and worth every penny
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Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
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Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site