Friday, July 26th, 9 pm:
Lao She’s “Teahouse”
a bilingual reading of excerpts
Lao She’s Teahouse is a classic of the Chinese theatre from the late 1950s, an episodic observation over the decades from the turn of the 20th century through the 1940s, set in a milieu where the common preoccupations of the day — not so very different from era to era — waft through the air.
Written in 1957, the play premiered in Beijing in 1958, mounted by the Beijing People’s Art Theatre. It ran for a remarkable and unprecedented 100 or more performances. Teahouse was brought back to the stage on the eve of the Cultural Revolution in 1963; however, it was removed from the repertoire once that period set in. Lao She was interrogated roughly and publicly humiliated as were many, and died in an apparent suicide in 1966. Teahouse was revived by the Beijing People’s Art Theatre in a 1979 production which toured internationally to great acclaim, and was revived again by the same company in 2005, again touring worldwide, seen by Bay Area audiences in that year at Berkeley’s Zellerbach Hall. Read more on the play here and here.
From the Bird & Beckett stage, we’ll hear a few scenes read in English, trading off with friends in Shanghai who will participate via Skype, reading from the Chinese original, a text known for Lao She’s masterful rendering of Beijing dialect.
Available Now at Bird & Beckett
Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.
Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.
~~ Poetry as philosophy to plumb the deeper truths of these times ~~
$15 and worth every penny
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Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
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