653 Chenery Street
in San Francisco's Glen Park neighborhood
Open to walk-in trade and browsing
Tuesday to Sunday
noon to six
Live Streams Every Friday and Saturday at 7:30pm, and more!
View them on our Facebook page or YouTube channel
Friday, May 10th – 5:30-8:00 pm
Tammy Lynne Hall Quartet
jazz in the bookshop
every Friday since 2002
A $10 per set (suggested) donation would be much appreciated to help us compensate the musicians.
Kristen Strom, saxophone
Tammy Lynne Hall, piano
Alex Baum, bass
Ruthie Price, drums
Tammy Lynne Hall began playing the piano at age four, in Dallas, Texas, where she was raised by two grandmothers, a grandfather and numerous aunts and uncles. Her earliest memories of the piano were of climbing onto the piano bench and pick out the notes to tunes she heard either on the radio, record player or something the choir sang at church. Later, Tammy became the pianist not just for the Junior Choir at her home church but also the pianist and organist for her godfather’s church in Terrell, TX, some 40 miles away and she was sometimes the rehearsal accompanist for her school choir from sixth grade at Pearl C. Anderson Junior High to her senior year at the Hockaday School.
It became evident that Music had chosen Tammy to walk it’s path. Giving full support for this journey were Tammy’s two grandmothers, who pooled their resources to make sure she had access to private lessons from age 8 to 18. Tammy participated in juried recitals, resulting in her winning several awards and honorable recognition in regional and national recitals and competitions. Because of her talent and impeccable academic record, Tammy was encouraged to apply and was accepted to the Hockaday School, where she attended on an academic and musical scholarship, which also led to her attending the prestigious and progressive Mills College in Oakland, CA from 1979 to 1981. Tammy’s grandfather also contributed to her musical journey by showing films of the greats Fats Waller, Dorothy Donegan, Hazel Scott, Duke Ellington and Count Basie; he was one of the first Black projectionists in the country and regularly showed films in his home and at public school auditoriums and churches for the community. These films along with the music she heard on the radio, at church, and the r&b, soul and pop records of the time, even the incidental and theme music she heard on television, all influenced Tammy’s playing. These early experiences would form the triad of Tammy’s core sound: a fusion of Jazz, Gospel and Classical.
In pursuit of developing her own voice and the experiences of a ‘Jazz’ life, Tammy left Mills College and gained more improvisational and accompanying experience sitting in with local bands in the Bay Area when visit to Brussels turned into a 2 year stay. During this time Tammy along with saxophonist Dr. Josylyn Segal, formed the quintet Touche Differente (Different Touch), playing in venues and festivals including the Brussels Jazz Club and the North Sea Jazz Festival, Antwerp, France, Holland and Ibiza, as well as performing and recording with the late saxophonist Noah Howard.
Since returning to the Bay Area in 1989, Tammy has with worked award-winning cabaret singer and actress, Connie Champagne, the Supreme Mary Wilson, chanteuse and actress Debbie De Coudreaux, The Montclair Women’s Big Band, Houston Person, the late David ‘Fathead Newman’, jazz violinists Regina Carter, Jeremy Cohen, Mads Tolling, orchestra leader and bassist Marcus Shelby, guitarist Terrence Brewer, vocalists Kim Nalley, Denise Perrier, Pamela Rose, Linda Tillery and the Cultural Heritage Choir, Holly Near, Lynne Asher, Melba Moore, Miki Howard, Rhonda Benin, Darlene Love, Lady Mem’fis, Veronica Klaus, Diane Witherspoon, Queen Esther Marrow, Ernestine Anderson, Derek Lassiter, Frankye Kelley, Nicolas Bearde, Kenny Washington, Lisa Ferraro Erika Luckett, Karen Drucker and the late Etta Jones.
Tammy’s continued involvement with her musical and cultural community include working as an instructor (faculty)/mentor, with a number of non-profit arts organizations making music and theatre accessible to under-funded inner city children and well known and funded organizations such as: Adventures In Music (AIM), under the auspices of the San Francisco Symphony in collaboration with the San Francisco Unified School District, The Handful Players Children’s Theatre (San Francisco public schools/Boys & Girls Club of San Francisco), the Drew School (San Francisco), Jazz Camp for Girls at the Jazz School (Berkeley), The Oakland Public Conservatory of Music, Alameda Unified School District, Stanford Jazz Workshop, Zellerbach Foundation, Yoshi’s and the Jazz & Heritage Center of San Francisco and most recently, Musically Minded Academy in Oakland and the Narada Michael Walden Foundation.
Tammy has also accompanied the Porter College Gospel Choir at University of California, Santa Cruz as well as the Inner Light Ministries Choir in Soquel,California, both under the direction of Valerie Joi Fiddmont and shares a Music Ministry with the Centers for Spiritual throughout the Bay Area and California.
She has traveled and performed extensively in Japan, Europe and Mexico, including a 30-city tour with Queen Esther Marrow and the Harlem Gospel Singers throughout Germany, Switzerland and Austria. Other venues and festivals of note include Kennedy Center (Mary Lou Williams Jazz Festival), Lincoln Center and Carnegie Hall, Sala Filharmonica (Trento, ITALY), Herbst Theatre, Monterey Jazz Festival, San Jose Jazz Festival, SFJazz Center, Yoshi’s Oakland and San Francisco and Kuumbwa Jazz in Santa Cruz, CA.
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance
Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site