Indian Cinema Beyond Bollywood – Day 4
Bird & Beckett
goes to the movies…
at the Balboa Theatre in San Francisco’s Richmond District…
we’ll see you there!
Indian Cinema Beyond Bollywood:
Classic & Contemporary Bengali Movies from Tollywood!
Friday, March 16th to Tuesday, March 20th
Before there was Bollywood, there was Tollywood– Tollywood, home of Bengali-language filmmaking, has long been the proving ground of many talents later usurped, exploited and made rich & famous by the Mumbai-based, Hindi-language Bollywood machine. Its nickname came about in 1932, when a writer in American Cinematography magazine named it for the Tollygunge neighborhood of Kolkata (Calcutta) in which most of the Bengali-language movie production offices are based.
Goopy Gyne Bagha Byne
(The adventures of Goopy & Bagha)
directed by Satyajit Ray, 1968
with Tapen Chatterjee
and Robi Ghosh
A delightful children’s fantasy filled with humour, adventure and magic, and at once a subtle yet powerful statement on the absurdities of war, done with high satire and sharp insight. Adapted from a short story by Ray’s grandfather, the story is about two young, simple-natured guys – Goopy and Bagha — who, upon getting banished from their respective villages for their atrocious musicianship, are awarded three magical boons by forest ghosts, including the ability to spellbind people (literally as well as figuratively) with their music.
— paraphrased from cliched-monologues.blogspot.com
directed by Satyajit Ray, 1970
with Soumitra Chatterjee, Shubhendu Chatterjee, Samit Bhanja, Robi Ghosh, Sharmila Tagore, Kaberi Bose, Simi Garewal, Aparna Sen
From the beginning, Ray contrives an extraordinary world, at once Arcadian and yet possessed of utter, unforced naturalness and reality.His language of cinema is a kind of miraculous vernacular, all his own. It has mystery, eroticism and delight. Critics have compared this film to Renoir and Chekhov. To those two masters I am inclined to add a third: Shakespeare. The phrase “must see” is bandied about very casually – but this deserves it. Run, don’t walk.
— Peter Bradshaw, The Guardian UK
directed by Mrinal Sen, 1972
with Madhabi Mukherjee, Gita Sen, Binota Roy, Ranjit Mullik
A young man, eternally 20, walks through history, through poverty, squalor and death. Eternally 20 and killed so many times — killed because he has been protesting and has remained an agent-provocateur. He comes and goes, between stories, each story having an independent set-up and new characters, but all stories harping on the eternal reality: Poverty and Degradation. While the physical look of poverty and hunger remains unchanged, it is the mind and attitude that keeps on changing. At the end, the young man of 20 appears on the screen again, just killed, and “incites” the spectators to react.
Available Now at Bird & Beckett
Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.
Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.
~~ Poetry as philosophy to plumb the deeper truths of these times ~~
$15 and worth every penny
_ _ _
Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
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Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site