653 Chenery Street
in San Francisco's Glen Park neighborhood
1-415-586-3733
[email protected]
Open to walk-in trade and browsing
Tuesday to Sunday
noon to six
Live Streams every weekend!
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But nothing beats being in the room with the music & the musicians!
Ray Skjelbred is in town for a string of dates on the Peninsula and in San Francisco before heading back up to Seattle, which he calls home these days. Ray is a unique pianist with a great feel for the piano masters of Chicago, the town where he was born and raised before moving with his family to Seattle. Early on he developed a great ear for the individualistic styles of Earl Hines, Jess Stacy, Joe Sullivan, Jimmy Yancey and Art Hodes as well as Mary Lou Williams, Thelonious Monk and Bill Evans and dozens of others. In the late ’50s, he gravitated to the Bay Area, where Burt Bales had set a standard beginning in the 1940s, when a trad jazz revival got underway with Lu Watters, Bob Scobey and Turk Murphy dominating the public perception. Ray wrote, “I was 18 the first time I saw Burt Bales playing…
Read MoreTony Peebles – sax Luke Schwartz – guitar Andrew Higgins – bass Evan Williams – drums $20 / byob Influenced by contemporary and old-school players such as Jim Hall, Joe Pass, Jesse Van Ruller & Peter Bernstein, Luke Schwartz’s compositional style is inspired by that of post-bop icon Steve Swallow. Luke returned to the Bay Area to make his mark on the local scene after stints in New Orleans and New York. He can be found performing regularly at cafes, clubs, bars & restaurants throughout the Bay Area under his own name, The Luke Schwartz Trio & Quartet, as well as with a variety of other jazz, rock & eclectic musicians.
Read MoreJoin us at our weekly Friday evening Jazz Happy Hour, 6-8pm! BYOB and a twenty for the trio. Kids are free. Students & teens, how about $10? The second Friday of each month in 2024, you’ll be regaled by Eric & the In Crowd, celebrating the tunesmiths who wrote the standards that jazz musicians have taught us to know and love. Pianist Eric Shifrin, bassist Ari Munkres and drummer Mark Lee will regale you this time around with compositions from the pens of Mal Waldron and Jimmy Van Heusen. Mal Waldron, born in 1925, spent the 1950s leading his own small combos while playing in the bands of Charles Mingus, Jackie McLean, John Coltrane and Eric Dolphy and composing for all of them, most famously the tune “Soul Eyes” that Coltrane played so memorably. Waldron was Billie Holiday’s accompanist from the spring of 1957 until her death in 1959,…
Read MoreTwo veterans of the San Francisco poetry scene open the reading, and an open mic closes it out. Come to Bird & Beckett on the first Thursday of each month to take it in and lend your voice. Judith Ayn Bernhard is a founding member and past chair of Marin Poetry Center. She is the author of a book of poems, Prisoners of Culture. Her most recent work is Marriages, a collection of short prose pieces. She lives with her husband, Byron Spooner, in San Francisco. Byron Spooner is the author of Rounding Up a Bison: Stories (Andover Street Archives Press, 2021). He is retired as the Literary Director of the Friends of the San Francisco Public Library after 21 years. His writing has been published widely on a variety of platforms and won Honorable Mention in the 2021 Dillydoun International Fiction Prize competition for his story “The Acrobat Rides…
Read MoreAn event organized by writer Joan Gelfand. International Women’s Day is celebrated every March 8th around the globe, though its profile in the United States has generally been pretty low through the decades — we’d guess partly because of the patriarchy and partly because of the taint associated with that damned socialist impulse behind its first observance back in the spring of 1909, when the Socialist Party of America organized “Women’s Day” in New York City, that dual bastion of capitalism & revolution! Getting out ahead of the celebration by a couple of days — to get you ready to take to the streets on Friday — we’ll open the doors of Bird & Beckett to four writers and a moderator (herself a novelist, as well) to discuss the state of things for women and feminism in the here and now… discovering new narratives, as it were… Participating in this…
Read MoreTwo jazz combos from the Community Music Center — one coached by Scott Foster and one coached by Charlie Gurke — will perform short sets starting at 5pm, with a 2-hour jam session open to all student jazz musicians following at 6:30pm. Celebrate CMC and celebrate jazz and the talented youth drawn to it! Come hear the music and consider the brilliance of these students, and think about what it takes to pursue jazz performance as a career! The Independent Musicians Alliance has ideas and schemes to make that more realistic in the Bay Area. We’ll clue you in if you come. And if you do come, bring a twenty to help us pay the musicians!
Read MoreEach year, Betty Wong calls in the talents from San Francisco’s Community Music Center to celebrate the breadth of music that catches her ear and keeps her creative juices flowing. Marking the Year of the Dragon, she’ll bring a cavalcade of musicians – students, faculty and friends — to play music from a variety of cultures and traditions around the globe, capping the afternoon as always with a trio of jazz players that are long-time colleagues and friends — saxophonist Ken Rosen, pianist Randy Craig and bassist Richard Saunders. Following the trio, pianist/flutist Steve Shapiro, director of the CMC for 30 years until his retirement several years ago, will join his wife, the bassist Ellen Rosenthal, for a short set. Betty Wong is a bona fide treasure. Read this article to get a bit of a sense of what a power she is! And here are the Wikipedia facts. And…
Read MoreLarry De La Cruz, alto saxophone Jim Peterson, baritone saxophone Jeremy Steinkoler, drums $20 cover charge; byob Students 25 and under $10 Kids 12 and under free With its surprising and highly combustible line-up of two saxmen and one drummer, Mo’Fone has thrilled audiences with some of the funkiest jazz—-and jazziest funk-—being played today. Powering its way through inventive high-energy original compositions, Mo’Fone explores the sonic landscape of its unique instrumentation with a relentless adventurousness, creating a huge sound that belies its compact size.The band is celebrating the release of their 4th album, 3 Skidoo, featuring all original compositions by all 3 members. “If Mo’Fone doesn’t blow your socks off, you’re not paying attention.” “Snaps and crackles like James Brown’s Famous Flames mixed with a New Orleans second line.” Mo’Fone’s improvisations and concept have twice earned them the award for Best Jazz Group in the East Bay Express Readers’…
Read MoreHenry Hung – trumpet Charlie Gurke – bari sax Dave Gibbons – piano Rob Woodcock – bass Evan Williams – drums $20-30 sliding scale cover charge. Help us pay a fair guaranteed wage to these musicians! Students 22 and under, $10 Watching in the live stream? Donate! Come out to the intimate concert space that is Bird & Beckett to hear an exciting combo celebrating the release of their new recording, executing the compositions of bassist and leader Rob Woodcock. http://robwoodcock.com/ Your cover charge at the show helps us guarantee a fair wage to the musicians that work here. Individual donations from a great many generous members of the Bird & Beckett community are also necessary. If you can and haven’t, please join their number. Bird & Beckett will always be a work in progress… Thanks for being part of the solution with your dollars, ears, intellect and loyalty!
Read MorePat Klobas, bass; Tommy Kesecker, vibes; Terrence Brewer, guitar; David Rokeach, drums. $20 suggested per adult; byob. $10 teens and music students. Kids free. Reservations, call 415-586-3733. The Klobas/Kesecker Ensemble has an exquisite chemistry that makes for a special concert experience, and they arrive at Bird & Beckett with a new cd on the verge of release, their third, called “Blues Elixer.” They promise a delightful mix of original compositions new and old, and a scattering of beautifully conceived arrangements of jazz standards. Regarding their second cd, “Moment’s Notice” it was noted that “the timbre of textures seems unlimited and is applied with artistic savvy. The recording’s title cut, featuring Kesecker on vibes, is done with a new and distinct K/K Ensemble arrangement that cuts across jazz and Brazilian parameters. Kesecker’s vibes, Brewer’s guitar, Klobas’s acoustic bass and Rokeach’s drums are truly an ensemble that stands out as an original…
Read MoreKahil El’Zabar percussion, kalimba, voice Corey Wilkes trumpet Alex Harding baritone saxophone THE EHE’S ANNUAL BLACK HISTORY MONTH NATIONAL TOUR WRAPPING UP AT BIRD & BECKETT & CELEBRATING FIFTY YEARS! $30 cover at the door (cash or venmo) byob reservations, call 415-586-3733 As the Ethnic Heritage Ensemble wraps up its annual Black History Month tour, the Ensemble is sporting a new release, out March 8 from Spiritmuse Records, entitled “Open Me: A Higher Consciousness of Sound and Spirit.” Open Me is a joyous honoring of potent new directions of the Ethnic Heritage Ensemble; it’s a visionary journey into deep roots and future routes, channeling traditions old and new. It mixes El’Zabar’s original compositions with timeless classics by Miles Davis, McCoy Tyner, and Eugene McDaniels. Thus, the Ethnic Heritage Ensemble continues affirming their indelible, half-century presence within the continuum of Great Black Music. February 28th marks the EHE’s sixth date at…
Read MoreJam session on the last Sunday of each month from 5 to 7pm! All jazz players welcome. Audience, please donate to help us pay the Vince Lateano Trio to host the jam — Ben Stolorow, piano; Peter Barshay bass, Vince Lateano, drums. Vince Lateano has been an invaluable part of the San Francisco scene since he came to the City in the mid-1960s. He quickly found his place in the local jazz scene, playing, recording and touring with Vince Guaraldi, subbing around town for Johnny Markham when Markham went on the road with Sinatra and other major acts, and working extensively with Cal Tjader, Eddie Duran, Chet Baker, Clare Fisher and a host of others through the years. Later, all through the 1990s ’til it closed as such in 2003, he was the house drummer at Jazz at Pearl’s in North Beach, playing with his own trio several nights a…
Read MoreRoy Brown brings his organ trio back to Bird & Beckett, with Bobby Cobb on guitar and Rusty Aceves on drums. For the last year and a half, Roy has had a weekly solo piano booking at the Adagio Hotel here in San Francisco, and he’s maintained a quartet since 2007 and an organ trio since 2011. Along the way, Roy has worked with singer Frankye Kellye (a three-month engagement in Shanghai in 2006, and festival engagements in Chiapas and Tabasco, Mexico in 2005), vibraphonist Yancy Taylor, saxophonists Jules Broussard and Charles Unger, and a host of other key Bay Area musicians. This year, he’ll be heard on piano on an album being recorded by the Larry Douglas/Jorge Pineda Alltet (Douglas is a long-time member of Roy’s organ trio). BYOB and a twenty to help us pay the band! Reservations, call the shop at 415-586-3733. Your cover charge at the…
Read MoreThe New York City-based, Korea-born bassist Jeong Lim Yang revisits Bird & Beckett in the company of three of San Francisco’s finest improving musicians — Ben Goldberg on clarinets, Rob Reich on accordion and piano, and Jordan Glenn on drums. $20 cover charge / byob call for reservations: 415-586-3733 Below, you’ll find video from Lim’s recent Bird & Beckett concert, performing music from the pen of Mary Lou Williams! Your cover charge at the show helps us guarantee a fair wage to the musicians that work here. Individual donations from a great many generous members of the Bird & Beckett community are also necessary. If you can and haven’t, please join their number. Bird & Beckett will always be a work in progress… Thanks for being part of the solution with your dollars, ears, intellect and loyalty!
Read MoreFriday, 2/23/24 – 6-8pm: Tony Johnson’s 230 Jones Street Band – The Return of Glen Deardorff! Along with drummer Tony Johnson, guitarist Glen Deardorff has been with the 230 Jones Street Band since before its founder — the late saxophonist/flutist Chuck Peterson — began calling it the 230 Jones Street Band (or, more accurately, the 230 Jones Street, Local 6 Literary Jazz Band). The band was named for the address of the musicians union local where Chuck and his colleagues were active in the 1960s agitating for good contracts and fair wages & working conditions for the region’s professional musicians. Glen has been on hiatus since last February, so we’re more than pleased to have him back! Joining Tony and Glen tonight in the current iteration of the band are Charlie McCarthy on saxophone and flute, Chuck Bennett on bass and Max Perkoff on piano and trombone (sitting in for…
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Your donation to the Bird & Beckett Cultural Legacy Project helps us pay for a multitude of operating expenses necessary to present, promote and preserve local music, poetry, and more.
Help us keep the arts alive and thriving!
The Bird & Beckett Cultural Legacy Project was created in 2007 "to present, document and archive the creative work of significant living writers and musicians in the San Francisco Bay Area, for a neighborhood audience and future generations." We've been doing that very thing for more than a decade and a half, continuing the work we began when the store was established in 1999.
We continue to present a full slate of programming of live music and poetry readings, and produce a literary journal and poetry chapbooks, and we seek and welcome your continued financial support by way of donations through our fiscal sponsor, Jazz in the Neighborhood.
Click on "donate" in the navigation bar above. Better yet, send or drop off a check made out to our fiscal sponsor, Jazz in the Neighborhood, with BBCLP in the memo line. Our mailing address is:
Bird & Beckett Cultural Legacy Project
653 Chenery Street
San Francisco, CA 94131
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The Bird & Beckett Cultural Legacy Project
Our events are put on under the umbrella of the Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a [Read More ]
The Independent Musicians Alliance
Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
https://www.independentmusiciansalliance.org/
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site