653 Chenery Street
in San Francisco's Glen Park neighborhood

1-415-586-3733
[email protected]

Open to walk-in trade and browsing
Tuesday to Sunday
noon to six

 

Live Streams every weekend!

Refresh your browser to catch a show in progress!
Visit our Facebook page or YouTube channel!
But nothing beats being in the room with the music & the musicians!

Sunday, March 16th – 2:00 pm
Ivan Arguelles, Jack Foley and Clara Hsu: a Presentation of Poetry Hotel Press

Three titles from this new press will be presented by their authors, the poets Ivan Argüelles, Jack Foley and Clara Hsu. Of the press and its intentions, co-publisher (with Clara Hsu) Jack Foley puts it well indeed: ¶The point of “publication” is to make something public:  “the song of me rising from bed and meeting the sun.”  Walt Whitman—whom we see sitting in a chair in our own Poetry Hotel—is the patron saint of such activity: the moment when deep interiority finds its way into the world. ¶Clara Hsu and I imagine our Poetry Hotel to be the place in which such a meeting occurs. Paper? Electronic? In Whitman the word “leaves” is a pun: “leaves of grass,” but also each page of a book is a “leaf.” Our “leaves” may at times be nothing but electronic impulses, yet that moment of transformation—“The sound of the belched words of my…

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San Francisco Neighborhoods
on the Brink: A Panel Discussion on Displacement, Gentrification, Rising Rents & the Loss of Affordable Housing
Wednesday, March 12th – 7:00 pm

Alejandro Murguia (SF Poet Laureate) leads off a panel discussion with John Avalos (District 11 Supervisor), Gen Fujioka (Public Policy Director, Chinatown Community Development Center) and Sarah Brant (SFUSD teacher & Ellis Act target). Join us to discuss the dilemma facing long-time residents and renters of modest means — and the gutting and gentrification of San Francisco — as real estate speculation and a quickly widening income gap drive rents to dizzying heights while the rental supply dwindles. Ellis Act evictions are buffeting many of our neighbors, and the lack of affordable housing affects us all. “There’s a difference between a neighborhood changing—which is natural and organic—versus the destruction of a neighborhood, its history and legacy, which is what is happening right now in the Mission District.” —Alejandro Murguía

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Sunday, April 6th at 2:00 p.m.
Finishing Line Press:
six poets read from their books

Poets Judy Bebelaar (Walking the Pacific), Raffi Del Bourgo (Inexplicable Business), Ellaraine Lockie (Wild as in Familiar), Kathleen McClung (Almost the Rowboat), Laura Schulkind (Lost in Tall Grass) and Zara Raab (Rumplestiltskin, or What’s in a Name?) read from their work.

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Sunday, March 9th – 4:30-6:30 pm
Betty Wong & CMC Friends
in a transcultural musical celebration of the Year of the Horse!

Happy New Year!   Celebrate with us the Chinese Year of the Horse — and the advent of Daylight Savings Time:  come and enjoy a multicultural concert featuring faculty and friends of San Francisco’s Community Music Center! Yi Ming Li, guqin (ancient Chinese zither) Peter Frentzel, shakuhachi (Japanese bamboo flute) Betty Wong, huluxi (Chinese folk gourd flute) and piano Shirley Wong Frentzel and the CMC Chinese Music Ensemble Katelyn Lui, piano, Elena Dillon, clarinet & John Smalley, baritone Harvey Robb and Ken Rosen (saxes), Betty Shaw   and Randy Craig (piano) & Richard Saunders, bass These performers will take us on a marvelous journey across the continents and centuries, with Tibetan folk music celebrating the year of the horse, music of Mongolia and ancient Japan… and on to Europe–France’s Poulenc & Germany’s Hindemuth…to the uniquely American jazz strains of Gershwin, Thelonious Monk, Benny Golson & Fred Hersh.

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“Basic Mysteries”
David Meltzer seminar
on poetry & poetics
Tuesday, March 4th – 7-10 pm

Call the bookshop for reservations – 415-586-3733. $40 tuition David Meltzer, a poet whose roots are in the San Francisco Renaissance and Beat eras, will explore some of the “basic mysteries” of poetry & poetics in three sessions spaced over five weeks. David’s thoughts on the poetic calling range from the discipline’s roots in oral culture to the invention/ mythologies of writing systems, the book and the page, and the return to orality.  Some of the material covered comes from his book, Two Way Mirror: A Poetry Notebook.  Other material is from lectures originally given in the graduate Poetics Program at New College of California — exploring divination, the prophetic, Kabbalah, & the possibility & impossibility of language.

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Sunday, March 2nd – 4:30-6:30 pm
Jinx Jones & His Jazz-A-Billy All-Stars!
which way west? Sunday concert series

Jinx Jones, king of the hollow body geetar, master of countless genres, avatar of the swing to rock from pure country to hard bop, visits Bird & Beckett as winter fades away with his jazzy little trio that’ll take you from Bob Wills to Thelonius Monk via Charlie Pride, Hank Williams, Hank Garland, Wes Montgomery, Les Paul and Kenny Burrell. What’s not to like?  Get yourself down to the bookshop, pop down a beer & slide into spring the jazzabilly way. Surely, Jinx is one of the most skilled and likable guitarists on the San Francisco scene.  Read more here!

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Sunday, March 2nd – 2 pm
Writers Bill Berkson & Elizabeth Block
read new poetry

Bill Berkson is a poet, art critic & corresponding editor for Art in America, who for many years taught literature & art history at the SF Art Institute. Director of Letters and Science at the Art Institute from 1993 to 1998, he taught art history, critical writing & poetry & directed the public lectures program there from 1984 to 2007. He is the author of many books of poetry & prose including Portrait & Dream: New & Selected Poems, published by Coffee House Press in 2009.  Bill will read from his latest poetry collection, Snippets (Omerta, 2014). Elizabeth Block is the author of the novel A Gesture Through Time, written under fiscal sponsorship of Intersection for the Arts, in San Francisco.  She is the recipient of a Doris Roberts/ William Goyen fiction fellowship from the Christopher Isherwood foundation and many other awards and residencies. Also a filmmaker, her films have traveled…

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poems are angels
a solo reading by
Diane di Prima
Saturday, March 1st, 6:30 p.m.
second of two readings
by popular demand!
reservations required–
call the bookshop!

For this fundraising evening to help poet Diane di Prima meet some of her ongoing medical expenses, she will read work from a recent collection,entitled “Poems Are Angels” and we’ll also offer for sale a limited edition broadside produced for the evening as well as several pieces of her art.  Diane will also read some poems at random from the notebooks she fills while at concerts and readings, stimulated by the moment and the surroundings — these are the journals she identifies by their covers… the black notebook, the cork notebook, and so on. Diane’s February 1st event sold out!  However, Diane has agreed to read again one month later – on Saturday, March 1st – so reserve now. All of the seats and much of the available standing room has already been reserved by folks who couldn’t squeeze into Diane’s first reading, so call now if you want to…

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Sunday, February 23rd, 4:30 pm
Classical guitar concert
Ross Thompson,
with students Harry Trump and others

Ross Thompson, San Francisco-based composer and concert guitarist, is widely known throughout the Bay Area as a passionate interpreter and inspired creative force in the classical guitar tradition.  He has received numerous commissions for original music and has released five recordings, including the acclaimed Winter’s Book.  He recently served as the composer-in-residence for the California Shakespeare Festival, and performs internationally as a soloist, including appearances at  the International Festival of Contemporary Classical Music ( Peru) Kestenberg Musickschule Berlin Tempelhof-Schoneberg (Germany), Mozarteum of Uruguay (Uruguay), Seoul National University (South Korea), National Conservatory of Music (Argentina).   Ross is a faculty member of the San Francisco Conservatory of Music.  More information about his recordings and compositions available atwww.rossthompson.com.

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Sunday, February 23rd, 2:30 pm
Walker Talks!

Walker Brents III discusses Herman Hesse.

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Sunday, February 16th – 4:30 pm
Violin & Piano Sonatas

Violinist Drew Cranfill and pianist Manu Petaia perform a program of sonatas by Bach, Mozart and Brahms, in solo and duo format.

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Sunday, February 16th, 2:00 pm
Third Verse: Jesse Nathan,
Benjamin Paloff, Alissa Valles

A reading and discussion of new work by poets, translators and editors Jesse Nathan, Benjamin Paloff, and Alissa Valles. Jesse Nathan’s poems have appeared in the American Poetry Review, the Nation, jubilat, and elsewhere. He’s a founding editor of the McSweeney’s Poetry Series, and the former managing editor of the Best American Nonrequired Reading. Nathan is working on a PhD in English literature at Stanford. He lives in the southeast corner of San Francisco. Benjamin Paloff is the author of The Politics (Carnegie Mellon, 2011), a collection of poems; his next, And His Orchestra, is forthcoming in early 2015. He has also translated several works from Central and Eastern Europe, most recently Marek BieÅ„czyk’s Transparency (Dalkey Archive, 2012) and Andrzej Sosnowski’s Lodgings: Selected Poems (Open Letter, 2011). His poems have appeared in A Public Space, The Paris Review, and elsewhere, and he writes regularly for The Nation and the Times…

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Sunday, February 9th,
two extremes of beauty!
rock n’ roll plus a string quartet!
1 pm – The Optimals
4:30 pm – The Temescal Quartet

At 1:00 pm, some neighborhood youths will strap on guitars & all the rest for a set of rock ‘n’ roll — They’re The Optimals & they’re ready to take on the world… At 4:30, we’ll bring it right down to the sweet spot where The Temescal String Quartet will set the bookshop atmosphere vibrating with classic repertoire.  The Temescal Quartet comprises violinists Barbara Riccardi and Katherine Button, viola player Jonna Hervig and cellist Victoria Ehrlich — all members of the San Francisco Opera Orchestra.

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Monday, February 3rd at 7 pm
POETS!
Our twice-monthly 1st & 3rd Mondays series of featured poets
plus an open mic

Tonight, poet QR Hands “trades fours” with improvising pianist Walter Earl. Trading fours is a jazz tradition, where members of an ensemble take turns stepping up to the mic for short solo bursts over the length of the standard jazz chorus.  Take our word for it, it’s energized and exciting & these two individuals are guaranteed to take it to a level that will leave you wanting more… but inevitably, we’ll take a break around 8 pm, and will follow that with our open mic, which traditionally kicks off with a song or poem by m.c. Jerry Ferraz, who can be uncanny in his channeling of the bardic wanderers of yore, and concludes with a tale or a poem by resident storytelling mystic Walker Brents III. Our featured performers, QR Hand and Walter Earl, are both fascinating & hugely talented.  You won’t be disappointed.  Worth coming out in the cold…

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Sunday, February 2nd, 1:30 pm
Tangents Turkey Music Tour Preview

Sixteen Days in Turkey…Ten Nights of Music Dore Stein’s Tangents Turkey Music Tour promo concert & talk Sunday, Feb. 2nd, 1:30-3:00 pm (before you might need to hustle over to Glen Park Station to watch the Super Bowl), come hear Gari Hegedus play Turkish music on oud & baglama, catch a few poems from Clara Hsu, and then hear Tangents radio host Dore Stein (KALW 91.7 fm) discuss the tour he’s leading to Turkey this coming October.   You just might want to go along!  No obligation, though…all welcome! 10 concerts in 16 nights — & lots and lots of ambling around Istanbul & environs! In addition to being co-founder of Stellamara and Teslim, Gari Hegedus also performs with Janam, The Helladelics, Eliyahu and the Qadim Ensemble and Hamed Nikpay. He has toured with the Mevlevi Dervish (Sufi) Order of America.and is also a luthier. Clara Hsu is a prolific poet and also co-owner of the Poetry Hotel…

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SUPPORT BIRD & BECKETT - DONATE TODAY!

Your donation to the Bird & Beckett Cultural Legacy Project helps us pay for a multitude of operating expenses necessary to present, promote and preserve local music, poetry, and more.

Help us keep the arts alive and thriving!

The Bird & Beckett Cultural Legacy Project was created in 2007 "to present, document and archive the creative work of significant living writers and musicians in the San Francisco Bay Area, for a neighborhood audience and future generations." We've been doing that very thing for more than a decade and a half, continuing the work we began when the store was established in 1999.

Due to lapses in tax filings during and post-pandemic, the BBCLP's status as a registered nonprofit was suspended at the beginning of April 2024 while we reapply, which is expected to take about six months. Donations made after April 1st will not be tax-deductible until nonprofit status is restored.

However, we continue to present a full slate of programming live music and poetry, and producing literary chapbooks, and we seek and welcome your continued financial support in the interim. If a tax-deduction is not a major reason for your support to date, we hope you'll continue to ride with us while we navigate these next several months.

Click on "donate" in the navigation bar above, drop off a check at the bookshop, or drop one in the mail to:

Bird & Beckett Cultural Legacy Project
653 Chenery Street
San Francisco, CA 94131

Call us at (415) 586-3733 to find out how else you might lend your support.

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The Bird & Beckett Cultural Legacy Project

Our events are put on under the umbrella of the Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a [Read More ]

 


The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.

https://www.independentmusiciansalliance.org/

Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site

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