653 Chenery Street
in San Francisco's Glen Park neighborhood

[email protected]

Open to walk-in trade and browsing
Tuesday to Sunday
noon to six


Live Streams every weekend!
Refresh your browser
to catch a show in progress!
Visit our Facebook page or
YouTube channel!

But nothing beats being in the room
with the music & the musicians!

Monday, June 15th – 7 pm
Robert Anbian and Gerald Nicosia
open mic follows

Richard Anbian has been described as “a passionate virtuoso steeped in these times and deep with tradition,” according to Richard Hack, “[whose] poetry crackles with currency – hiply linguistic turns of natural originality, rhythmically brimming with a tempestuous taste of ecstasy, reason, and love.” Dusty Dog Reviews declared him “a genius or a Venusian.”

Gerald Nicosia is a biographer (“Memory Babe”), cultural historian (“Home to War”) and literary critic as well as a novelist, playwright, screenwriter and poet. His new book of poems is “Night Train to Shanghai” (Grizzly Peak Press, 2014).  Click here to read a review of that volume in the Huffington Post.  As a freelance journalist, interviewer, and literary critic for the past three-plus decades, Gerry has contributed to hundreds of publications, including the Washington Post, the Chicago Tribune, the Los Angeles Times, the San Francisco Chronicle, USA Today, the American Book Review, the Review of Contemporary Fiction, Contemporary Literary Criticism, and the New York Quarterly.


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The Bird & Beckett Cultural Legacy Project

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.


Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site

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