Saturday, January 21st – 7:30-10 pm
Aaron Germain Chance Ensemble
jazz club! when lights are low… every Saturday night

aaron-germain-chanceThe Jazz Philanthropists Union presents
jazz club! when lights are low…
every Saturday night, 7:30-10 pm, at Bird & Beckett

Tonight– Aaron Germain Chance Ensemble
featuring all original music by
bassist and composer Aaron Germain
Mary Fettig, sax and flute
Murray Low, piano
Jon Krosnick, drums

Aaron has played in a multitude of genres with fantastic musicians, deeply engaged and creative no matter the setting. The Chance Ensemble is a chance for Aaron to collaborate with highly esteemed peers to explore musical territory without reservation, and has already produced a highly acclaimed cd of some of this music with Mary Fettig and others.

This live date in the intimate setting of Bird & Beckett will undoubtedly be a delight. Do come!
$10 cover charge. $9 wearing a pussy hat!

Available Now at Bird & Beckett

Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.

Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.

~~ Poetry as philosophy to plumb the deeper truths of these times ~~

$15 and worth every penny
_ _ _
Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!

The IMA can be a conduit for you, if you join in to make it work.


Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site