653 Chenery Street
in San Francisco's Glen Park neighborhood

1-415-586-3733
[email protected]

Open to walk-in trade and browsing
Tuesday to Sunday
noon to six

 

Live Streams every weekend!

Refresh your browser to catch a show in progress!
Visit our Facebook page or YouTube channel!
But nothing beats being in the room with the music & the musicians!

Saturday, October 1st – 7:30pm
Trio Paz
Phillip Greenlief, saxophones
Adriana Camacho Torres, bass
Scott Amendola, drums

Phillip Greenlief saxophones
Adriana Camacho Torres, bass
Scott Amendola, drums

$20 cash cover charge at the door
BYOB

The live stream can be found
on our Facebook page or YouTube channel

Mexico City born, raised and based bassist Adriana Camacho Torres takes improvised music wherever it wants to go in the company of local heroes Phillip Greenlief and Scott Amendola on saxophones and drums, respectively.

Phillip Greenlief was born in Los Angeles in 1959.
Scott Amendola was born in New Jersey in 1963.
Each has been in the Bay Area for three to four decades.

Two Bay Area musicians with global reputations.

Such are the musicians we can boast of here,
and such are the international connections they provide.

Read an interview with Adriana here.
Visit her website here.

TAKE OUR SURVEY

To take our SURVEY, click here, and help the BBCLP get to know you better! As Duke Ellington always said, we love you madly...

The Bird & Beckett Cultural Legacy Project

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
[Read More ]

 


The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.

https://www.independentmusiciansalliance.org/

Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site

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