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653 Chenery Street in San Francisco's Glen Park neighborhood

Open to walk-in trade and browsing Tuesday to Sunday noon to six

phone: 1-415-586-3733     email: [email protected]

Sunday, June 21st at 5pm
The Smith Dobson Quartet

portrait of Smith Dobson by Elizabeth Boulevard; photo of Smith Dobson by Dennis Hearne

Sunday, June 21st – 5-7pm.
Sunday Happy Hour Show.
The Smith Dobson Quartet.

Smith Dobson, saxophone.
Keith Saunders, piano.
Eric Markowitz, bass.
Tony Johnson, drums.

It’s the Sunday happy hour show at Bird & Beckett, bring something to sip and pay what you can. Bring a snack for yourself or bring some food to share. Stay for a tune, stay for a set, stay for the evening. $20 is nice, but you decide what it’s worth, and what you can afford; students $0 to $10, your call; kids free.

This long-running association of musicians held forth for years at the Club Deluxe on Haight Street. We’re still waiting for that great spot to be resurrected. In the meantime, you can recapture a bit of the magic — or capture it for your very first time — when saxophonist Smith Dobson fronts a rhythm section well known to Bird & Beckett regulars. Relax awhile with some fine bebop, hard bop, post bop, the new thing… some swing… This is San Francisco jazz for a Sunday summer afternoon.

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To take our SURVEY, click here, and help the BBCLP get to know you better! As Duke Ellington always said, we love you madly...

The Bird & Beckett Cultural Legacy Project

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.

https://www.independentmusiciansalliance.org/

Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site

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