653 Chenery Street
in San Francisco's Glen Park neighborhood

1-415-586-3733
[email protected]

Open to walk-in trade and browsing
Tuesday to Sunday
noon to six

 

Live Streams every weekend!

Refresh your browser to catch a show in progress!
Visit our Facebook page or YouTube channel!
But nothing beats being in the room with the music & the musicians!

Sunday, December 8th – 10-11am
SFLives Live Stream
Denise Sullivan and Tongo Eisen-Martin
in conversation

Independent reporter Denise Sullivan brings the SF Lives series to Bird & Beckett for a Sunday morning livestream. This month’s guest is poet, movement worker, and educator, Tongo Eisen-Martin. Use the video screen at the top of our website homepage to access the stream. Limited in person seating available. Call the shop at 415-586-3733.
Eisen-Martin’s curriculum on extrajudicial killing of Black people, We Charge Genocide Again, has been used as an educational and organizing tool throughout the country. His book titled, “Someone’s Dead Already” was nominated for a California Book Award. His book “Heaven Is All Goodbyes” was published by the City Lights Pocket Poets series, was shortlisted for the Griffin Poetry Prize and won a California Book Award and an American Book Award. He is San Francisco’s eighth poet laureate and he is co-founder and editor at Black Freighter Press.
The SFLives Project, a series of candid conversations with San Francisco’s artists, activists and free thinkers, was conceived as a print media column by Denise Sullivan for the San Francisco Examiner where it ran from 2018-2022, then transitioned into a live-streamed conversation, produced by Jenna Littlejohn, for Bird & Beckett. Past editions are archived on our YouTube channel.
A note about Tongo Eisen-Martin’s intellectual roots:
ARLENE EISEN : WOMEN AND REVOLUTION IN VIETNAM Zed Books Limited, London, 1984.

ARLENE EISEN, journalist, research worker, teacher in women’s studies and activist in civil rights, anti-war and women’s movements, follows up her first book ‘Women in Vietnam (1974) with this current study that gives an account of Vietnamese women since liberation in 1975. Based on interviews, reports and historical research, her new book traces the progress of Vietnamese women’s struggle for liberation and emancipation within the framework of socialist construction. The book also takes up some important questions from the debate between feminism and ‘socialist theory. It also makes a contribution to an understanding of the difficulties and problems that a Third World country faces in building socialism. This understanding brings into sharper focus the concept of a ‘revolution within the revolution’, the extent of women’s participation in political leadership and decision-making in different aspects of Vietnamese life.

In Vietnam, as elsewhere, women have come to symbolise the strength of National Liberation Movements and the potential of women. Would the gains made by women during the war expand in peace time or would socialists abandon their commitments to women, once in power? Feminists have often idealised the liberation-women equation and rejected socialism as the means of providing an environment for the liberation of women. The over-throwing of all sex roles is the feminist dream, not the Vietnamese reality, which is a combination of both the militia woman and the bereaved mother knitting socks for soldiers. The goal of the Vietnamese women’s movement is not to legitimise feminist goals, but to face day to day problems in a war ravaged, economically backward country. To them status may not figure as the primary concern when they have trouble in meeting the nutritional and health requirement^ of the family.

When Vietnamese women discuss liberation, they speak from the experience of a people that have survived feudal oppression, defeated French colonialism, fought US occupation and who are now in the process of building socialism. Conditions have pushed them very hard and very far. We see how, from being beasts of burden, women have transformed into a strong force in Vietnamese society, despite poverty, war and death.

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The Bird & Beckett Cultural Legacy Project

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.

https://www.independentmusiciansalliance.org/

Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site

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