photo by mynettphotography.com

Sunday, March 19th – 7:30-9:30 pm
The Michael Zilber Quartet presents Originals For The ORIGINALS

photo by mynettphotography.com

In tribute to some of the giants of the saxophone, Michael Zilber performs all original music from his new cd, “Originals for the ORIGINALS,” written in homage to John Coltrane, Wayne Shorter, Dave Liebman, Michael Brecker, Sonny Rollins, Paul Desmond and Joe Henderson.

Hailed by jazz critics including Andrew Gilbert and Bill Milkowski as superb, Zilber’s 11th release as a leader features New York jazz greats Dave Kikoski on piano, James Genus on bass, and Clarence Penn on drums, and has been widely described as his best and most personal recording..

For this Bird & Beckett performance, Michael is joined by Matt Clark on piano; Peter Barshay on bass and Jason Lewis on drums.

You couldn’t ask for better!

Available Now at Bird & Beckett

Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.

Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.

~~ Poetry as philosophy to plumb the deeper truths of these times ~~

$15 and worth every penny
_ _ _
Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!

The IMA can be a conduit for you, if you join in to make it work.

https://www.independentmusiciansalliance.org/

Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site