From 5:30 to 8:00 pm, two sets of swinging bop and straight-ahead jazz by The Chuck Peterson Quintet with vocalist Dorothy Lefkovits.
San Francisco’s long-running Friday after-work jazz party – now in its 13th year – never a missed Friday since 2002!
Stan Levey is one of the most influential drummers in the history of modern jazz. During his extraordinary career, the self-taught Levey played alongside a whoâ€™s who of twentieth century jazz artists: Dizzy Gillespie, Charlie Parker, Miles Davis, Stan Getz, Coleman Hawkins, Art Tatum, Ben Webster, Dexter Gordon, Lester Young, Thelonius Monk, Benny Goodman, Woody Herman, Ella Fitzgerald . . . the remarkable list goes on and on, and includes dozens of the most distinguished names in the annals of jazz and popular music.
Stan Levey: Jazz Heavyweight follows Levey’s prolific and colorful life, from his childhood days in rough-and-tumble North Philadelphia as the son of a boxing promoter and manager with ties to the mob, to his stint as a professional heavyweight boxer, to his first gig as a drummer for Dizzy Gillespie at the tender age of sixteen and his meteoric rise as one of the most sought after sidemen in the world of bebop, to his membership in the Lighthouse All-Stars and his prominent role in the creation of West Coast Jazz.
Coinciding with his years anchoring the Lighthouse All-Stars, Levey recorded over two thousand tracks while doing session work with such vocalists as Frank Sinatra, Ray Charles, and Barbra Streisand. Levey ended his music career as a prolific player on literally thousands of motion picture and television show soundtracks under the direction of such legendary composers as Lalo Schifrin, Henry Mancini, Nelson Riddle, and Andre Previn, among many others.
Jazz aficionados will relish Jazz Heavyweight for its new, never-before-published information about such hugely influential musicians as Parker, Gillespie, and Davis, while jazz neophytes will find a fast-paced, colorful encapsulation of the entire history of modern jazz. This book is essential reading for anyone seeking an up-close-and-personal look at jazz in the latter half of the twentieth century.
â€œStan Levey is without a doubt one of the greatest drummers ever and one of the founding fathers of modern music. Along with Klook, Max and Art, there was Stan Levey, who learned directly from Dizzy when they were both living in Philadelphia. As a result, Stan contributed to this beautiful art form and played on some pivotal recordings. Jazz Heavyweight is fascinating!â€
â€”Wallace Roney, Grammy Award-winning jazz trumpeter
â€œI think Jazz Heavyweight is a piece of jazz history thatâ€™s very important to document. Stan is a link. His life is an amazing story and he was a lovely man. I was totally in awe of meeting him and the legacy that he carries.â€
â€”Charlie Watts, Rolling Stones drummer
â€œStan Levey was the drummer every be-bopper wanted in his rhythm section. And with good reason. Jazz Heavyweight illuminates his role as an ultimate insider and important playerâ€”musically and otherwiseâ€”during one of jazz history’s most vital eras.â€
â€”Don Heckman, International Review of Music
â€œJazz Heavyweight embraces the life and times of a renaissance man in a topsy turvy world, rich with personalities and celebrities. Having lived through some of this crazy world with Stan and my Dad, this biography really hit home. A must read.â€
â€”Frank Marshall, motion picture director and producer
â€œIt has been my privilege to have known and worked with Stan Levey. Stan was one of the greatest drummers of our time. While reading this book I was reminded of the many facets of Stan and it invoked several memories of our years working together in the early 1960s with Dizzy Gillespie. He truly had a strong sense of musicality and most importantly soul, which was evident in each and every performance.â€
â€”Lalo Schifrin, Grammy Award-winning pianist and composer
â€œStan Levey was a superb, yet underrated drummer on both the New York bebop scene and the West Coast milieu. Frank Haydeâ€™s engaging biography shines a welcome light on this remarkable percussionist and delivers choice stories, a great many in Leveyâ€™s own voice, lending a deep credibility to this book.â€
â€”Zan Stewart, ASCAP-Deems Taylor Award recipient
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
[Read More ]
Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site