Thursday, May 29th – 7 pm:
Self-Portrait of the Poet
Suicided by the MFA Degree

a reading by Justin Etc., with Amy K Bell & Jill Tomasetti

per the Press:

The Gorillla Press is excited to release our first full-length book, a collection of poems by Oakland poet and SF State grad Justin, Etc. Featuring cover art by SF artist and poet Truong Tran, this little paperback is a beaut and a pleasure to read.

Bird and Beckett Books has graciously given us their stage to hear Justin perform from the book.  You can pick up your very own copy there!

Amy K Bell, Jill Tomasetti, and a special guest will also be joining the stage in short readings to celebrate Justin’s new book!

About the Book: Oakland poet Justin, Etc. has brought together a first collection of poems that explores and breaks open the poetic range of motion. Through redaction, intimate curations of objects, and the radioactive dispersal of lines and their breaks, Self-Portrait of the Poet Suicided by the MFA Degree carries in its wreckage a subtle heartbeat. This is a tragicomic wandering through what’s left of a heart and mind on the brink of disassembling, on the verge of reassembling.

At first glance, the wary reader may label Justin, Etc. a hoarder of words, but in truth he is a collector of rare antiques, lost oddities, and never-before-released vinyls. His poetry seamlessly blends the things that were with the things that are, forming musical narratives that span the pop culture of decades as well as our modern concerns. This may sound like some vast ground to cover, but Justin, Etc. is a cufflinks and sneakers kind of man. He pulls it off. The best way to enjoy Justin’s work is to let it intimidate you, then to embrace it. By the end of this book, you’ll find you’ve started collecting too.

Kind Words:  

Desuetude means the condition of not being in use, and Zukofsky said that the goal of a poem is to ‘achieve perfect rest.’ Yet we all know how incredibly active poetry can be, phrase by phrase. Such is the poetry of Justin ETC’s, pruned to such a perfect excess, we would never want anything less: “the surveillance & subtraction of shock-white blossoms / electrocuted w/ AM Gold bourbon / abulia, swimming pools, & sacred bone shard reverb.” A brilliant observer of American culture, he is a true connoisseur of our chaos: “her heart is a DeLorean w/ its doors swept up into the aortal allure.”.
~ Paul Hoover, desolation : souvenir (Omnidawn)

There’s checking for range of motion, as when an obstetrician manipulates the arms and legs of a newborn to look for full movement potential, and then there’s finding range of motion in Justin Etc’s new poetry collection, witnessing a flexibility of the imagination that blows the poetic range chart to bits. These poems do not stay put nor stay tethered to safe and sane poetic themes. They bust any tether that threatens to tie them down and shows us what can happen when a poet has the mind and guts to create poetry “imbued with w subtle heartbeat and the wherewithal to write.” This is a terrific first collection of poetry that moves.
~ Toni Mirosevich, The Takeaway Bin (Spuyten Duyvil)

Available Now at Bird & Beckett

Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.

Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.

~~ Poetry as philosophy to plumb the deeper truths of these times ~~

$15 and worth every penny
_ _ _
Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
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https://www.independentmusiciansalliance.org/

Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site