653 Chenery Street
in San Francisco's Glen Park neighborhood

[email protected]

Open to walk-in trade and browsing
Tuesday to Sunday
noon to six


Live Streams every weekend!
Refresh your browser
to catch a show in progress!
Visit our Facebook page or
YouTube channel!

But nothing beats being in the room
with the music & the musicians!

Friday, 1/27/23 – 5:30-8:00pm
Tony Johnson Quartet
4th Fridays in 2023

Shake off the workweek with a happy hour or two in the company of veteran drummer Tony Johnson and his merry crew — Bob Kenmotsu on tenor saxophone, Keith Saunders on piano and Matt Montgomery on upright bass. Two solid sets of straight ahead jazz & bebop, swing & bossa nova. Tony has been plying his trade in San Francisco since he immigrated from Australia in 1959. Straight off, he was busy in the clubs and on the road — and recorded a memorable album live at The Cellar on Grant Avenue in North Beach in 1960 with vocalist Bev Kelly, in the company of saxophonist Pony Poindexter. He’s never stopped since.

BYOB and a twenty for the band!

Can’t make it to the show? On Fridays, we’ll be streaming just the second set, starting at about 7pm. To hear the first set, you’ll need to brave the elements and come down to the shop!
Check the second set out in the live stream on our YouTube channel or Facebook page.



To take our SURVEY, click here, and help the BBCLP get to know you better! As Duke Ellington always said, we love you madly...

The Bird & Beckett Cultural Legacy Project

Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.

The BBCLP is a 501(c)(3) non-profit...
[Read More ]


The Independent Musicians Alliance

Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.


Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site

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