653 Chenery Street
in San Francisco's Glen Park neighborhood
1-415-586-3733
[email protected]
Open to walk-in trade and browsing
Tuesday to Sunday
noon to six
Live Streams every weekend!
Refresh your browser
to catch a show in progress!
Visit our Facebook page or
YouTube channel!
But nothing beats being in the room
with the music & the musicians!
Cecilia Perez Urias – jarana, vocals, zapateado
Diego Perez – bass guitar
Dan Neville – vibes, marimba
Andres Reyes – tambór and cununo
$20 cover charge (cash please). No one turned away for lack of funds. Admission in the last half hour is $5 upon request. BYOB.
Created in Mexico City by Cecilia Perez Urias and Diego Perez, Saltapatrás combines music with narrative theater, featuring a repertoire infusing original compositions with rhythms and traditional Mexican aesthetics, blending in jazz and Colombian forms. Their presentation is both aural and visual.
Tonight’s concert features the Bay Area’s own and now New York-based Dan Neville on marimba and vibraphone, and Colombian musician Andres Reyes, also now based in New York, on the percussion (tambór and cununo).
Leading into the Bird & Beckett Saturday night concert, Saltapatrás will give a workshop and performance Friday in celebration of Cinco de Mayo at La Peña in Berkeley.
TAKE OUR SURVEY
To take our SURVEY, click here, and help the BBCLP get to know you better! As Duke Ellington always said, we love you madly...
The Bird & Beckett Cultural Legacy Project
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
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The Independent Musicians Alliance
Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
https://www.independentmusiciansalliance.org/
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site