Start your weekend out at Bird & Beckett Friday evening with the relaxed bop & swing of the 230 Jones Street Band, then grab a taco and come back for the late show, when Beth Custer and Stephen Kent’s Trance Mission deploys clarinets, didgeridoo and percussion to take you there…
Saturday morning, Andre Custodio’s Audible Method deploys synthesizers & processors we can’t possibly fathom to dive into ambient depths we fully perceive only on a subliminal plane! So wander the stacks and let your mind go where it wants. Saturday night, jazz club swings into play at 7:30 as four solid senders known as the North Berkeley Jazz QuartetÂ will deliver two satisfying sets of jazz, ranging across bebop, latin and straight ahead terrain…
And then it’s Sunday! Jerry Ferraz explores the workings of his guitar and memory beginning around 11:30, and Walker Brents takes the stage at 2:30 to cogitate on Walt Whitman, the good grey poet of yore, and, says Walker, howÂ Whitman “teaches me toÂ see.” And then, it’s 4:30 and you can let all the complexity of thought give way to the boisterous pleasures of trad jazz like it started in New Orleans, amped up in Chicago and dug in in New York from the ’20s to the ’40s, as delivered by singer Darlene Langston and the seven-piece Buena Vista Jazz Band. And why do they call them that? Well, just because they look so damned good!
[arve url=”https://gojont.com/bird-beckett/” /]
Thanks to our friend Ernesto at Gojont for the video above! Play it and then visit his wonderland of pleasures from Frisco to Rio on display at gojont.com
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
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Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site