653 Chenery Street
in San Francisco's Glen Park neighborhood
1-415-586-3733
[email protected]
Open to walk-in trade and browsing
Tuesday to Sunday
noon to six
Live Streams every weekend!
Refresh your browser to catch a show in progress!
Visit our Facebook page or YouTube channel!
But nothing beats being in the room with the music & the musicians!
Catch GG after the game! GG Amos, vocals and guitar Parris Bertolucci, organ Randy Lee Odell, drums GG Amos carries the torch of the African American guitarists and singers who created a distinct West Coast blues style during World War II and the decades that followed — musicians like Lowell Fulson and T-Bone Walker and younger players, notably including Johnny Heartsman. GG has released a single, “West Coast” in tribute to the genre and to Heartsman, who recorded prolifically, primarily as a sideman, in the 1950s and 1960s, then effectively disappeared. In the 1970s, he surfaced in Sacramento and again became a widely admired player, remaining active right up to his death in 1996. GG grew up in Sacramento and became profoundly influenced by Heartsman, though she has her own thang for sure, melding funky soul, jazz and latin elements into music that’s all GG! Read more and hear clips…
Read MoreThe Principles Behind Flotation (Skyhorse Press, 2017) is the first novel from Alexandra Teague, a former NEA Fellow, Stegner Fellow, and City College of San Francisco instructor, currently an associate professor at University of Idaho. She has previously published two poetry books—The Wise and Foolish Builders (Persea 2015) and Mortal Geography (Persea 2010), winner of the 2010 California Book Award. Echoing novels like Karen Russell’s Swamplandia! and Carol Rifka Brunt’s Tell the Wolves I’m Home, Alexandra Teague’s lighthearted coming-of-age debut is perfect for anyone who’s navigated the strange seas of adolescence—and lived to tell the tale. A.Z. McKinney is on the shores of greatness. Now all she needs is a boat. When the Sea of Santiago appeared overnight in a cow pasture in Arkansas, it seemed, to some, a religious miracle. But to high school sophomore A.Z. McKinney, it’s marked her chance to make history—as its first oceanographer. All…
Read MoreThey’re fierce, they’re funny, and they’ll make your head spin while your toe’s tappin’. Plus, the Moby Dick album is deep. The rest is beyond category. Two sets, so you’ll get a generous helping of both. No cover charge per se: $10-20 donation suggested and appreciated. After you’ve supped, you’ll want to feast on the leftovers, so put El Rio’s Shit-Kickin’ Memorial Day show on your calendar for Monday.
Read More“Jazz on a Summer’s Day: A Tribute to Anita O’Day†featuring Melanie O’Reilly & Trio Frank Martin – piano Fred Randolph – bass Jack Dorsey – drums “….the ideal soundtrack to a hot summer nightâ€Â (Edinburgh Fringe Festival) Award-winning jazz vocalist Melanie O’Reilly celebrates the legendary jazz singer Anita O’Day, capturing the essence of an unconventional musical genius. Interspersing narration between the songs, Melanie tells and sings the story of O’Day, who wanted to be a jazz singer and refused to let anything stop her. The show, created and devised by O’Reilly, tells the story of a bold unconventional musical genius who shattered the traditional role of a “girl singer†with her smoky swinging style and brilliant sense of rhythm.  Overcoming the setbacks of poverty and addiction, O’Day becomes one of the world’s most enduring jazz artists –anointed for her legendary performance at the 1958 Newport Jazz Festival captured in the ground-breaking film documentary “Jazz on a Summer’s Day,” O’Reilly’s riveting Anita O’Day tribute, which garnered 4-star reviews and standing ovations at the International Edinburgh Fringe Festival and from a growing number of Bay Area audiences, brings…
Read MoreThe literary profile of a revered Buddhist text and what it means for poets.
Read MoreThe Jazz Philanthropists Union presents… Dan Neville, vibes Grant Levin, piano Piro Patten, bass Miles Tune, drums Originals by Dan Neville, including tunes from soon-to-be-released Golden Circle Sextet cd (due out in August). Dan is a multi-instrumentalist, composer, jazz performer, jazz big band arranger and a full time student. His credentials include seven seasons of SFJAZZ Center’s Monday Night Big Band, arranging for Adam Theis’ Realistik Orchestra and three outstanding musicianship awards from Reno, Chabot, and CSUEB jazz festivals. In April, Dan won 1st place in the 2017 Jazz Search West competition. Dan has studied jazz arranging and improvisation with Bennett Friedman at Santa Rosa JC, studied composition and piano with Rebeca Mauleon at City College of San Francisco, and is currently studying jazz education at the California Jazz Conservatory in Berkeley, CA, working towards a BA.
Read MoreThe crowning glory of a wonderful run of Saturday afternoon duo shows led by Grant Levin. Among his duo partners in this series, Kash Killion has been a favorite for sure. Kash has played extensively with musical icons such as B.B. King, Cecil Taylor, John Zorn, Julius Hemphill, Reggie Workman, Sun Ra, Butch Morris, Paul Murphy, Glen Spearman, George Lewis, Alvin Baptiste, Chocolate Armenteros, Richard Egues, Larry Willis, Steve Berrios, and Francisco Aquabella. His duo outings with Grant are deeply satisfying. Starting in June, we’ll leave the Saturday afternoon bookings behind… but we’ll present Grant Levin in duo, trio and quartet settings on successive 2nd, 3rd and 4th Sunday evenings each month. We don’t doubt that Kash will reappear with Grant down the road apiece.
Read MoreEric Shifrin & the In Crowd: The Pitchfork Edition Eric Shifrin, piano and vocals Mark Holzinger, guitar Bing Nathan, bass Says Eric:  “The Pitchfork Trio was born at Bing Nathan’s New Year’s Day party several year’s back. While I was playing the piano at the jam session with my back to the room I heard a great guitar solo. When I turned around there was Mark Holzinger. I got him to rehearse a few times, and thought it might be fun to try to play some stuff along the lines of the Red Norvo/Tal Farlow bands. We did some gigs and developed a contrapuntal melody driven approach that has been fun. There have been lots of different bass players in the mix (that’s Ari Munkres in the picture at left), but tonight will feature our buddy Bing.” Eric’s last-Thursday-of-the-month booking at Bird & Beckett is just the thing to lift…
Read MoreBassist Charles Thomas covers jazz, R&B, funk, classical and many points in the musical spectrum, but it’s clearly jazz that absorbs him most fully, and never more fully than when he’s in the company of pianist Grant Levin and drummer Mark Lee. No better way to spend your Sunday afternoon than to be at Bird & Beckett soaking up the music!
Read MoreAn observant, open and analytical thinker, Sydney Gurwitz Clemens has given workshops for parents and teachers in 41 states, New Zealand, Australia, Singapore and Nagoya, Japan.’Â Her books, written for adults about helping children grow, include Pay Attention to the Children, The Sun’s Not Broken, the Clouds Just Got in the Way and Seeing Young Children With New Eyes. Now it’s time to hear her reading poems she has written about herself. A survivor of cancer, she has written a cycle of poetry about that struggle; an activist, she writes about those thing that need to be done, or congratulated. A Q&A period and an open mic will follow Sydney’s reading.
Read MoreThe Jazz Philanthropists Union presents… Tonight: Frank Jackson, piano and vocals; Noel Jewkes, tenor sax; Al Obidinski, bass; Vince Lateano, drums. Frank Jackson played the Fillmore District clubs when they were in their heyday in the 1940s and 1950s, and has been a favorite of San Francisco jazz audiences ever since for his rich piano style and vocals reminiscent of Nat King Cole. $15 cover charge.
Read MoreTonight, Scott’s quartet includes trumpeter Henry Hung, bassist Adam Gay and drummer Omar Aran, all close associates of Scott’s for years, with countless bandstand encounters and collaborations among them.
Read MoreCatharine Clune, violin Greg Stephens, trombone Joshua Brody, piano Zoli Di Bartolo, vocal Simply the most fun and exquisite experience you could have in town tonight! J
Read MoreCamincha Benvenutto, Poet Laureate of Pacifica, writes love poems and stories that exude sensual excitement and enthusiasm for life.  Cara Vida dissects the noise of modern advertising and societal craziness – pulls it apart, marvels at its absurdity, puts it back together any way she fancies and exhibits the fractured result. You can hear a bit of Cara Vida at this link reading at Bird & Beckett last September. Bird & Beckett’s Books twice-monthly poetry series has now run for more than fifteen years.  Jerry Ferraz, a San Francisco native and a unique voice in poetry, initiated and hosts the series. An open mic follows the features.
Read MoreMeridian Trio features Chicago based-musicians Nick Mazzarella on alto saxophone, Matt Ulery on bass, and Jeremy Cunningham on drums. Mazzarella, the group’s leader and composer, formed the ensemble in 2014 to play a steady monthly gig ​at a club in the south side neighborhood of Pilsen where he lives. That engagement lasted three years, during which time the trio developed a tight-knit musical rapport and a repertoire of original material. Through many hours of public performance, they gradually cultivated a unique and cohesive group sound–​one ​as energetic as it is nuanced. Mazzarella’s compositions for the trio draw upon the traditions of both avant-garde and modern jazz through a synthesis of free improvisation, interval-based improvisation, modalism, elements of the blues, swinging grooves and other cyclical rhythmic structures. The common thread unifying these components is a strong melodic sensibility shared by the players, formed and continuously refined by live performances.​ To date,…
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Your donation to the Bird & Beckett Cultural Legacy Project helps us pay for a multitude of operating expenses necessary to present, promote and preserve local music, poetry, and more.
Help us keep the arts alive and thriving!
The Bird & Beckett Cultural Legacy Project was created in 2007 "to present, document and archive the creative work of significant living writers and musicians in the San Francisco Bay Area, for a neighborhood audience and future generations." We've been doing that very thing for more than a decade and a half, continuing the work we began when the store was established in 1999.
We continue to present a full slate of programming of live music and poetry readings, and produce a literary journal and poetry chapbooks, and we seek and welcome your continued financial support by way of donations through our fiscal sponsor, Jazz in the Neighborhood.
Click on "donate" in the navigation bar above. Better yet, send or drop off a check made out to our fiscal sponsor, Jazz in the Neighborhood, with BBCLP in the memo line. Our mailing address is:
Bird & Beckett Cultural Legacy Project
653 Chenery Street
San Francisco, CA 94131
Call us at (415) 586-3733 to find out how else you might lend your support.
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The Bird & Beckett Cultural Legacy Project
Our events are put on under the umbrella of the Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a [Read More ]
The Independent Musicians Alliance
Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
https://www.independentmusiciansalliance.org/
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site