Sunday, March 24th – 2:00-4:00 pm
Poets Karen Hildebrand
(Crossing Pleasure Avenue)
and Ron Riekki (Posttraumatic)
About Karen Hildebrand’s Crossing Pleasure Avenue, one reviewer had this to say: “Karen Hildebrand’s poetry is like sociology—if sociology could be felt by the hairs on one’s neck and seen in fragrant, Fauvist Technicolor. Her brilliant debut full-length collection, Crossing Pleasure Avenue, reminds us of the strangeness of the everyday and the pleasure in those ripe moments when the past and the present buckle and overlap.”
Ron Riekki’s Posttraumatic (from Hoot & Waddle) “is at turns heartbreaking and hysterically funny, profound and absurd, filled with acerbic wit and a sense of childlike innocence. Drawing on Riekki’s experience in the military, as an EMT, as an actor, his time at a marketing firm in China, and much, much more, the essays contained in Posttraumatic are at times hard to believe, but are never short of brutally honest.”
Available Now at Bird & Beckett
Hot off the press from your neighborhood bookshop just in time for the lame duck period. 75 million voters, and counting, have rejected fascism and lies. 70 million haven’t yet made that commitment. Bully Goat’s Bluff might change a few of their minds.
Fits nicely in an invitation envelope for mailing. Fits in a pocket as well.
~~ Poetry as philosophy to plumb the deeper truths of these times ~~
$15 and worth every penny
_ _ _
Jerry Ferraz is a keystone of
the Bird & Beckett cultural edifice, built by you through your decades-long love and support.
Our events are put on under the umbrella of the nonprofit Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
The BBCLP is a 501(c)(3) non-profit...
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Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site