653 Chenery Street
in San Francisco's Glen Park neighborhood
1-415-586-3733
[email protected]
Open to walk-in trade and browsing
Tuesday to Sunday
noon to six
Live Streams every weekend!
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But nothing beats being in the room with the music & the musicians!
Robert Kennedy, on organ, leads a quartet with James Moran on guitar, Lyle Link on sax and Cody Rhodes on drums. Â Centered on the hard bop and soul jazz of the Hammond organ’s heyday in the 1950s and 1960s and extending to blues, jazz standards and modern originals, the Robert Kennedy Quartet’s repertoire brings you tunes well known and new, familiar and surprising. Whether you’re tapping your toes or dancing in the aisles, these players know their job is to bring you feeling for your heart, fascination for your mind, and rhythm for your body. Classically trained from childhood and focused on playing rock and show tunes until his young adulthood, Robert Kennedy came to jazz late, playing in big bands and studying jazz piano privately with Bay Area legend Bill Bell. Later still, he shifted focus from jazz piano to jazz organ and draws on the playing of organists…
Read MoreGreat Blue, a posthumous collection of poems by Susan Herron Sibbet, spans three decades, from her first published works to her death in 2013. Today at Bird & Beckett, poet Kim Shuck, a San Francisco original and treasure, has invited a bunch of wonderful bay area poets to read and to pay homage to Susan. The program will include: Linda Noel (former laureate of Ukiah) Bill Vartnaw (former laureate of Sonoma) Avotcja (genius) Jeanne Lupton (grand poet, hosts an event at Frank Bette) EK Keith (poems under the dome) A performance of Susan’s poem Rain Suite Nina Lindsey Carolyn Miller Susan Sibbet’s world is large, encompassing both nature’s bounty—great blue herons, two vast blue oceans, the blue globe itself—and the smallest details of domestic life: jam jars, broken china, burnt toast. Her voice is that of a woman fully engaged in what makes us human: the tangled emotions of family, the…
Read MoreGuitarist Eddie Duran leads the date. 92 years old and a San Franciscan by birth and upbringing, he released his debut album on Fantasy in 1956, a gorgeous and swinging quartet outing that epitomized the small combo jazz of the day. Â Howie Dudune played reeds on the date, Dean Reilly played bass, and Johnny Markham, a local hero of the first order, played drums. Dean Reilly is on bass for tonight’s Bird & Beckett date under Eddie’s leadership. Saxophone duties are handled by two consummate musicians — Noel Jewkes and Madaline Duran. Drums are the purview of the casually impeccable and completely imperturbable Vince Lateano. Howie Dudune was supposed to be on this date… we’ll dedicate it to Howie, may he rest in peace. A brilliant musician on clarinet and tenor saxophone, and a wonderful human being. Funny, sincere, and humble beneath a bravado that was only for kicks. We…
Read MoreGrant Levin and Charles Thomas have developed a rapport on the bandstand that ensures a strikingly vital collaboration when they have the space to themselves. Come enjoy the dialogue that develops between two musicians who are masters of their instruments and their craft.
Read MoreScott Foster’s band this time around features saxophonist Larry Delacruz, bassist Adam Gay and drummer Bryan Bowman. Scott’s a brilliant guitarist, His sidemen are equally adept, deep & swinging, as called for. This is jazz as it’s played in San Francisco in 2016.
Read MoreThe Seducers play classic country music from Bakersfield to Nashville and tread the outlaw path as called for. Â They’re a fantastic band, led by Joe Goldmark, a master of the pedal steel guitar, and fronted by Mitch Polzak, just a kid gas jockey from Fremont or Hayward who dedicated himself to music one day and never looked back. He’s a terrific guitar picker, a great songwriter, a spontaneous wit without equal. Pam Brandon takes it all to another level on bass and vocals, and Kenny Owen? He finesses the beat with the elan of a tireless wrangler, whose taste for a good soft bed and a volume of poetry at the end of the trail is evident. Â Canyon moonlight music series at Bird & Beckett, every Thursday night!
Read MoreAvotcja, the name conjures up feelings of wisdom and strength. Her voice and music have given life to several instances of social injustice, propelling her audiences to be inspired and to make change. Avotcja has been published in English & Spanish in the USA, Mexico & Europe, and in more Anthologies than she remembers. She is an award winning Poet & multi-instrumentalist playing with the likes of Rahsaan Roland Kirk, Bobi & Luis Cespedes, John Handy, Sonido Afro Latina, Dimensions Dance Theater, Black Poets With Attitudes, Bombarengue, Nikki Giovanni, Los Angeles’ Build An Ark, Dwight Trible, Diamano Coura West African Dance Co., Terry Garthwaite, Big Black, The Bay Area Blues Society & Caribeana Etc. Shared stages with Sonia Sanchez, Piri Thomas, Janice Mirikitani, Diane DiPrima, Michael Franti, and Jayne Cortez to name a few… Daniel Brady has been the host of the Sacred Grounds Cafe open mike for over five years! His…
Read MoreFeaturing Idris Ackamoor on saxophones; Sandy Poindexter, violins and vocals; Skyler Stover, acoustic and electric bass; Sandor Moss, drums; Raul Ramirez, congas & drums; Bobby Cobb, guitar. Hosted  by Rhodessa Jones. Idris Ackamoor continues his intergalactic musical odyssey with the release of “WE BE ALL AFRICANS” by Idris Ackamoor ☥ the Pyramids, incorporating Fela-like African rhythms, George Clinton urban funk, and soaring improvisations into a unique world music blend. The Pyramids’ Bird & Beckett appearance on October 15th celebrates the album’s release and its vision, and doubles as a bon voyage party for the band as it embarks on it 12th European tour. The tour will make stops at Theatre des Bouffes in Paris, Uber Jazz Festival in Hamburg, Café Oto in London, and the J.A.W. Family Reunion in Berlin before returning to the U.S. Idris is a multi-instrumentalist, composer, actor, tap dancer, producer, administrator, and director — Founder and Co-Artistic Director of…
Read MoreSaxophonist Lincoln Adler, keyboard player Greg Sankovitch and drummer Randy Lee Odell join bassist Kurt Ribak for a couple sets of originals and standards. This quartet has years of experience working together and playing throughout Northern California, and it shows! Kurt Ribak (pronounced REE-bok, like the shoes) showed a penchant early on for finding rhythm and music where he could. His parents were not players but lovers of music. Ancestors include a female leader of an all-male band (“Stella and her Fellasâ€) and Simon Rodia, the creator of the Watts Towers, a major work of folk art. When Kurt was about four years old his mother found him dancing to the sound of the dishwasher. More conventional early musical experiences included playing ‘cello and singing in the San Francisco Boys Chorus, which performed with the San Francisco Symphony and Opera. A Berkeley, CA native, Kurt attended UC Berkeley, where he continued playing…
Read MoreOdilia Galvan Rodriguez, Sharon Elliott, Jabez W. Churchill, Avotcja, Antoinette Nora Claypool, James Downs, Cathy Arellano, Genny Lim and Cesar Love read to celebrate this new anthology, edited by Rodriguez and Francisco X. Alarcon (University of Arizona Press, 2016). On April 20, 2010, nine Latino students chained themselves to the main doors of the Arizona State Capitol in an act of civil disobedience to protest Arizona s SB 1070. Moved by the students actions, that same day Francisco X. Alarcon responded by writing a poem in Spanish and English titled “Para Los Nueve del Capitolio”/”For the Capitol Nine,” which he dedicated to the students. The students replied to the poem with a collective online message. To share with the world what was taking place, Alarcon then created a Facebook page called Poets Responding to SB 1070 and posted the poem, launching a powerful and dynamic forum for social justice. Since…
Read MorePatrick Wolff, tenor sax Keith Saunders, piano Eric Markowitz, bass Tony Johnson drums Injecting swing into jazz classics, a little Monk, some Kenny Dorham, some Lucky Thompson– you can’t really go wrong with these musicians and this music! “The kid can play…so lyrical, and deft and swinging to boot.†—ROBERT PINSKY, UNITED STATES POET LAUREATE Patrick Wolff is a saxophonist, composer, bandleader, and educator, originally from New York, and currently residing in San Francisco. He attended New York University, where he studied with Ralph Lalama, George Garzone, Frank Foster, Ron McClure, and Frank Kimbrough. In the jazz world, Patrick Wolff has toured heavily with the Glenn Miller Orchestra, worked with Shane Endsley, Matt Wilson, Grant Stewart, Dena DeRose, Josh Roseman, Judi Silvano, Marcus Shelby, and Ron McClure, and has had the great fortune of performing with many of the world’s greatest musicians, including Louis Hayes, Tootie Heath, Peter Bernstein, Roy…
Read MorePiano professor Macy Blackman has played it all, and plays it for you tonight with Bing Nathan on bass… From the Clovers to the Orioles, Fats Domino to Professor Longhair… they’ll play the tunes and tell the stories that we crave!
Read MoreSmooth Toad presents the dusty American folk ragas of surrealist/dada poet G. P. Skratz, romantic fiddler/bard Hal Hughes, and legendary theater artist Bob Ernst. The trio weaves an authentic collaboration that conjures original hymns wherein Captain Beefheart meets Lord Byron. Their words and tunes explode into a whole new art form: think nightingale on a branch overlooking the RNC. Each has published and performed poems, done theater, and played arcane American music. Together, they’ve been Smooth Toad for a good stretch. Skratz taught at Naropa on Allen Ginsburg’s invitation. Bob was a founding member of the Blake Street Hawkeyes, a legendary East Bay theater troupe that included Whoopi Goldberg and John O’Keefe. Hal was at the nascence of the Blue Dolphin, has been with Subterranean Shakespeare, North Beach Beckett, and much more. The Zombie Stomp (click here!) will give you a clue, and that’s just Skratz & Hal– we’ll…
Read MoreSmith Dobson is a triple jazz threat, a respected and much sought player on saxophone, vibes and drums. He’s heir to several generations of family talent — his father was a top pianist on the scene through his untimely death in 2001, and his mother is a jazz singer and teacher of repute. Tonight, Smith is joined by long-time colleagues Adam Shulman on piano, Eric Markowitz on bass and Evan Hughes on drums — first-call players all heard regularly at every significant jazz venue in the region. Â Two sets of bop, standards and originals.
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Your donation to the Bird & Beckett Cultural Legacy Project helps us pay for a multitude of operating expenses necessary to present, promote and preserve local music, poetry, and more.
Help us keep the arts alive and thriving!
The Bird & Beckett Cultural Legacy Project was created in 2007 "to present, document and archive the creative work of significant living writers and musicians in the San Francisco Bay Area, for a neighborhood audience and future generations." We've been doing that very thing for more than a decade and a half, continuing the work we began when the store was established in 1999.
We continue to present a full slate of programming of live music and poetry readings, and produce a literary journal and poetry chapbooks, and we seek and welcome your continued financial support by way of donations through our fiscal sponsor, Jazz in the Neighborhood.
Click on "donate" in the navigation bar above. Better yet, send or drop off a check made out to our fiscal sponsor, Jazz in the Neighborhood, with BBCLP in the memo line. Our mailing address is:
Bird & Beckett Cultural Legacy Project
653 Chenery Street
San Francisco, CA 94131
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The Bird & Beckett Cultural Legacy Project
Our events are put on under the umbrella of the Bird & Beckett Cultural Legacy Project (the "BBCLP"). That's how we fund our ambitious schedule of 300 or so concerts and literary events every year.
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The Independent Musicians Alliance
Gigging musicians! You have nothing to lose but your lack of a collective voice to achieve fair wages for your work!
The IMA can be a conduit for you, if you join in to make it work.
https://www.independentmusiciansalliance.org/
Read more here - Andy Gilbert's Feb 25 article about the IMA from KQED's site